Sometime back I gave a pretty strong pan review of a couple of “toys” that were not compatible with GNU/Linux — with open standards really, since the community ensures that free software is compliant — and were therefore nothing more than a disappointment to my kids. Recently, I fully expected to repeat this depressing experience when my brother-in-law gave my son a “Flip” digital video camera, but I was pleasantly surprised: it works exactly as it should.
This is my story about searching for Japanese pop music under a free culture license. It’s a little tricky, because the best sites for this are of course, in Japan, and not well advertised on the English web. I discovered how to use Python’s XMLRPC library to run searches using the web API for a Japanese music sharing site called “Wacca”. The results were very interesting — I found some of what I was looking for, though not all.
Net neutrality has been a hot and persistent topic on the internet for some time, so I’m not even going to attempt to summarize the debate here. Anyone who values their personal and online freedom knows it’s a crucial issue. Regardless of your operating system or the software we use it will affect each and every one of us.
I am currently in that level of hell reserved for people who upgrade their GNU/Linux system too quickly. I have for some time now been happily using KDE 4 with the plasma desktop enjoying the cute little animations and eye candy, and learning to use the task-bar and widgets. Then my bliss was interrupted by a simple mistake. I decided to upgrade. I forgot that my /etc/apt/sources.list was set to load experimental versions of the software, and now my X-server system is broken.
Packt publishing is now organising the 2010 Open Source Awards. The winning projects will actually get a monetary prize (which I am sure will be most welcome).
I am always a little skeptical of these awards. However, I have to say that Packt really have proved themselves here: they started with the Open Source CMS Award a few years back, and they have now expanded it to several different categories.
Manufacturing has been getting smaller, cheaper, and more flexible for years. It’s now possible to make products as sophisticated as smart cel-phones, PDAs, toys, clothing, books, and even houses in almost any shape or form you want down to very small numbers.
In the past few years we’ve seen a lot of hardware-based innovation (or at the very least expansion). New products and markets have arisen built around hardware and its use. Smartphones, tablets, netbooks and gaming systems are all examples of markets that have expanded and some if not most of the products make use of free software. This is great but why does it seem to be that the free-software products are second-generation, playing catch up. Where is the device innovation driven by free software?
If you haven’t heard, Google have announced they are pulling the plug on Wave, their interactive, real-time communication product. It’s a shame but I can understand why. It never really took off. Google have blamed lack of user adoption for the poor showing, and maybe that’s true, but in the end if people aren’t using your product: it’s not their fault - it’s yours.
People have been talking about “micropayments” since the early days of the world-wide-web, so I’m always skeptical of micropayment systems. Flattr is an interesting variation on the idea though. It’s a voluntary system, without the overhead or chilling effects associated with “pay walls” and it puts donors in control of how much they spend, allowing them to split their donations among beneficiaries based on a monthly “pie” model.
I am typing this as I am finally connected in shell to my Android phone. The prompt reminds me that it’s based on the Linux kernel (it’s free), the Dalvik virtual machine (it’s free), and free libraries. Millions of Android devices are shipped every day, each one is a Linux system. Today, it’s phone. Soon, it will be tablets: Android 3.0 (coming out at the end of the year) will finally be very suitable for tablets. Apple alone will have to face fierce competition on pretty much every front. Microsoft… who?
What exactly does it mean when Richard Stallman says that the Creative Commons’ Attribution-ShareAlike license has a “Weak Copyleft”? Why exactly is it that “Freeware” and “Non-Free Software” mean the same thing, while “Free Software” is something else entirely? And what is this business with “Free Beer”, and where can I get some? If you’ve asked yourself these questions, this column is for you.
Often, when modelling in 3D, it’s necessary to create a “backdrop” panoramic image. Typically this shows sky and distant land which should appear behind the foreground action. One place we’ll need this for the pilot to Lunatics is for the sky in Baikonur, Kazakhstan on launch day at the beginning of the story. I had some very particular ideas about how this should look, and I want to create just the right look. Here’s how I constructed it.
Having defined the terms that represent the core values of free culture and free software in a previous column, today I want to talk about the terms that define its boundaries: how we describe them and defend them. And what’s on the other side of them.
One of the great advantages of using a free license for a work is that you can re-use a growing body of free-licensed source material to help you do it. But it can seem a little daunting to find the material that you both want and can legally use. Here’s a little bit of my strategy, a few tips, and some sources, including Jamendo, which I found to be the most useful for finding music. I also touch upon some useful free software tools for listening and sorting tracks.
We are getting very close to wrapping up the English translation of the script for “The Beautiful Queen Marya Morevna: Underground” (which is the working title of the film being produced by the Morevna Project). So it seems like a good time to talk about the software we’ve been using, which is MediaWiki.
Hardly anyone realizes that Blender even is a video compositing and non-linear editing tool (in addition to its modeling, rendering, and animation capabilities). There are few, if any, books available on how to use it for that purpose, so Roger Wickes’ book is much needed. It contains an enormous amount of very useful information.
I found a useful sound effect in an online video from NASA which replaces an earlier temporary sound I used in a scene soundtrack for the Lunatics pilot, “No Children in Space.” I’m going to extract the sound from the video (with VLC), cut out the sound I need, clean it up, and insert it into an existing sound mix (all with Audacity). This should give you some insight into using Audacity and a VLC on a real project.
To the chagrin of their competitors, GoogleMail seems to have become almost as synonymous with webmail as Google has with search engine (recently my six year old was explaining to me how he Googled for something at school). GoogleMail is a useful tool and has a lot of advantages over traditional client-server mail accounts, particularly if you are on the move. To be honest those sorts of advantages are present in pretty much any webmail setup: I’m just concentrating on GoogleMail because it’s by my experience the most popular.